Sunday, May 12, 2024
ADVT 
Movie Reviews

'Bangistan', A Comic Caper Gone Awry

Troy Ribeiro IANS, 07 Aug, 2015 01:06 PM
    Cast: Riteish Deshmukh, Pulkit Samrat, Chandan Roy Sanyal, Kumud Mishra and Arya Babbar
     
    Director: Karan Anshuman
     
    Rating: * *
     
    A purely fiction fantasy, "Bangistan" is a flimsy, sardonic film which may have been crafted with good intentions, but is poorly executed.
     
    Set in a make-believe land called Bangistan, it is the story of two fundamentalists, Hafeez-bin Ali (Riteish Deshmukh) and Praveen Chaturvedi (Pulkit Samrat), on a mission in Poland. The film encompasses their journey from being terrorists to peace-loving missionaries.
     
    Initially, the contrast between the two, Hafiz and Praveen, and how they are initiated into their respective missions, is what keeps you hooked. But as the tale progresses, the transition from a comedy to a film with serious messages seems incongruous and the film loses its appeal.
     
     
    Packed with amusing, satirical reference points and silly antics by the characters in the beginning, the film shifts gears as it slowly degenerates into a social, preachy drama which is cliched and tedious to watch. 
     
    Some of the dialogues in the latter half, are reminiscent of scenes from Amir Khan's "PK", Akshay Kumar's "OMG: Oh My God!" and other recently released films that spread the message of non-violence and tolerance to all religions.
     
    The writing lacks depth. The issues are generically tackled, the characters are all poorly etched and the subject content, except for names like FcDonalds, Al-Kaam Tamaam, Maa-Ka-Dal, offers nothing new by way of humour, making it seem boring and trite.
     
    With the focus mainly on the two protagonists, the other characters are relegated to two-dimensional flat characters.
     
     
    Riteish Deshmukh is a good actor and he makes a sincere effort as always, to bring gravitas to his character. On the other hand, Pulkit Samrat with his excessive histrionics, tends to emulate Salman Khan. Together, they do make a formidable pair, but are not strong enough to hold the entire film squarely on their shoulders.
     
    Only with a few scenes, Jacqueline Fernandez is obviously wasted as a bar hostess Rosie. With nothing much to offer, her character is easily dispensable. Chandan Roy Sanyal as Tamim, the taxi driver in Poland tries his hand at some over-the-top acting and is least amusing.
     
    Visually too, the camera work is limited and unexciting. The computer-generated graphics seem elementary and unattractive.
     
     
    The songs "Saturday night full tight", "Hogi kranti...mann mein hai vishwas", are effectively used for exposition and story progression, but fail to strike a melodious chord.
     
    In his directorial debut, Karan Anshuman disappoints as he fails to wield the baton effectively to elevate a poorly written script, of which he too is a part.
     
     
    Overall, the film is mediocre fare. You can safely avoid a journey to "Bangistan" unless you are a Riteish fan.

    MORE Movie Reviews ARTICLES

    Badlapur Is An Exceptionally Engaging Drama

    Badlapur Is An Exceptionally Engaging Drama
    "Badlapur" takes the cinema of eye for an eye to a new high. The feral ferocious face-offs between Varun and Nawazuddin captured in the colour of wrath and doom by cinematographer Anil Mehta, confer a vital visceral velocity to the virile vendetta saga.

    Badlapur Is An Exceptionally Engaging Drama

    Irrfan Khan's 'Qissa' Is A Mystifying And Satisfying Masterpiece

    Irrfan Khan's 'Qissa' Is A Mystifying And Satisfying Masterpiece
    Like the ghost that follows the film's gender-challenged protagonist "Qissa" will haunt you forever. It takes the patriarchal obsession with the male heir to a level of lucid expression where geopolitical dislocation and gender ambivalence are locked in a visceral embrace.

    Irrfan Khan's 'Qissa' Is A Mystifying And Satisfying Masterpiece

    MSG - The Messenger: A Massive Crash-Course In Self-promotion

    MSG - The Messenger: A Massive Crash-Course In Self-promotion
    There's a lot to be said about a spiritual leader who takes to filmy "hero-giri" with such sincere gusto. Even Rajinikanth can't equal this Guruji's reformist fervour. He acts, directs, composes the songs, writes the lyrics and, of course, performs the miracles.

    MSG - The Messenger: A Massive Crash-Course In Self-promotion

    Roy Is An Intriguing Journey That Leads Nowhere

    Roy Is An Intriguing Journey That Leads Nowhere
    Perhaps the first-time director should have attempted the complexities of this film after making five other films. But the fact that he did attempt this film as his directorial debut is admirable.

    Roy Is An Intriguing Journey That Leads Nowhere

    'Shamitabh' Is Ode To Big B's Baritone, Human Mortality

    'Shamitabh' Is Ode To Big B's Baritone, Human Mortality
    "Shamitabh" is not just a homage to the great Bachchan baritone. It is also a magnificent ode to the theme of human mortality.

    'Shamitabh' Is Ode To Big B's Baritone, Human Mortality

    'Khamoshiyan' Is Full Of Moronic Mumbo-Jumbo

    'Khamoshiyan' Is Full Of Moronic Mumbo-Jumbo
    "Khamoshiyan" makes you shiver. But not in fear. It just makes you shake in embarrassment for all the ghosts and spirits who are so royally snubbed and insulted by such travesties of terror. 

    'Khamoshiyan' Is Full Of Moronic Mumbo-Jumbo