Priyadarshan, the chairperson of the feature film section for the National Film Awards, says he does not understand why people are questioning his frequent collaborator Akshay Kumar’s best actor win.
The filmmaker has collaborated with Akshay in several films like Hera Pheri, Garam Masala, Bhagam Bhaag, Bhool Bhulaiya, De Dana Dan and Khatta Meetha.
On social media, several people are attributing Akshay’s win to his close proximity with Priyadarshan. But the director refuted the allegations by saying that last year Ramesh Sippy was head of the jury and no one questioned his good friend Amitabh Bachchan’s best actor win, so why should he and Akshay be subjected to such probe.
“I have heard of all that and I will answer it in a simple way. When Ramesh Sippy was jury head Amitabh Bachchan won. When Prakash Jha was head of jury, Ajay Devgn won.
“So none questioned at that time. So why all these questions are cropping up today,” Priyadarshan told.
The filmmaker also clarified that Akshay’s performance in Rustom and Airlift were considered by the jury during the selection process. However, as only the name of one film could be mentioned, the list featured the courtroom drama Rustom, he said.
“Akshay was given the best actor on the basis of his performance in two films — Airlift and Rustom. It was the jury’s decision. One performance was dramatic and one was realistic. But according to the rule book, only one film can be mentioned and Rustom was mentioned in the list. But the award recognises his performance in both the movies.”
This year saw the dominance of regional cinema at the National Film Awards with Marathi film Kasaav winning best feature film, Surabhi CM getting best actress and Rajesh Mapuskar being named best director for Marathi movie Ventilator.
Bollywood films which managed to score are Pink (best film on social issues), Dhanak (best children’s film) and Neerja ( best Hindi film).
Priyadarshan says regional films don’t chase after box office numbers and that is why they are true to their stories and also give social messages.
“While watching films we realised that a lot of Bollywood movies were themed around homosexuality. The movies are not really highlighting social problems. Whereas regional cinema are themed around fantastic social issues. They try to tell different stories. Even Dangal doesn’t talk about social issues. It was a life story.
“Regional movies are not made with the aim to earn Rs 100 crore. They are made from the heart. We should promote films that reflect the Indian culture. Regional movies are doing a very good job of storytelling through social issues,” he says.
